[This is an installment in the Monday Worship Music series. Find other, related posts through this link.]
A couple nights ago, we sang a few special songs with a group of friends:
- Jesus, Wonderful Thou Art (in which we worshipped the eternal Son)
- Into My Heart (in which we invited Him within)
- Be Still, My Soul (in which we expressed our trust)
- It May Be at Morn (in which we longed for the parousia)
- Lord, Speak To Me (in which we prayed for the Lord Jesus to fill us until we overflow, so that we tell his love)
And I ask you: aren’t these all special songs? In a real sense, every song in a Christian gathering should be special music. Why sing a song unless it is special?
Many churches have developed a lingo that separates the solo song from the rest of the musical worship material. Bulletins may list “Special Music” during or just after the offering. “Who’s singing the special today?” is heard by many involved officially in musical leadership/offering. If one isn’t careful, she could begin to think that “special music” should be more attended to than congregational music.
The “special music” lingo does indicate a good thing — congregationally oriented music as the norm. Even as musical literacy in churches declines rapidly, it is good for churches small and large to continue to “major” in the large-group mode of worship. It is engaging, fulfilling, and God-intended.
And wherever professional musicians call the shots, it would be good for a greater number of believers to show how energized they can be in lifting up voices from the pews (or theater seats, or whatever), as we did again yesterday morning:
This the pow’r of the cross
Christ became sin for us
Took the blame bore the wrath
We stand forgiven at the cross
W&M by Keith Getty and Stuart Townend
© 2005 ThankYou Music
Long live the singing of Christians. Whenever two or three are gathered. . . .